'fashion'에 해당되는 글 111건

  1. 2008.10.16 Worsening Economic Outlook Triggers Another Stock Sell-Off by CEOinIRVINE
  2. 2008.10.14 Style: When I grow up by CEOinIRVINE
  3. 2008.10.06 Elie Saab by CEOinIRVINE
  4. 2008.10.06 Collette Dinnigan by CEOinIRVINE
  5. 2008.10.06 Chloé by CEOinIRVINE
  6. 2008.10.04 Celine by CEOinIRVINE
  7. 2008.10.02 Street Fashion by CEOinIRVINE
  8. 2008.10.02 Comme des Garçons by CEOinIRVINE
  9. 2008.10.02 Sophia Kokosalaki by CEOinIRVINE
  10. 2008.10.02 Tao by CEOinIRVINE 1
Skye Kim, right, checks the price on a dress at Fair Oaks Mall while shopping for homecoming at Lake Braddock. "Now we think more about price than we did before," Kim said.




Skye Kim, right, checks the price on a dress at Fair Oaks Mall while shopping for homecoming at Lake Braddock. "Now we think more about price than we did before," Kim said. (By Lois Raimondo -- The Washington Post)

Troubling new signs of a deep economic malaise touched off some of the worst stock market losses in history yesterday, a day after the government announced a massive intervention that officials hoped would boost investor confidence.

New data showed that consumers stayed away from malls, nixed plans for new cars and made do with old clothes in September, forcing the largest monthly decline in retail sales in three years. Federal Reserve Chairman Ben S. Bernanke added to the gloom, cautioning that the nation should not expect an economic rebound any time soon.

The Dow Jones industrial average fell 733.08, or 7.9 percent, its second-biggest point drop in history, while the Standard & Poor's 500-stock index, a broader measure, sank 90.17 points, or 9 percent, the most since the crash of 1987, infamously dubbed Black Monday.

The market declines came after the Treasury Department said it would spend at least $250 billion to take ownership stakes in financial firms and insure most forms of bank debt. Officials had hoped those measures would calm investors' nerves and heal the crippled financial system.

Bernanke said, "the turmoil in financial markets and the funding pressures on financial firms pose a significant threat to economic growth." His remarks appeared to signal that the central bank was open to lowering its benchmark interest rate, which it cut just last week to 1.5 percent.

The credit crisis has penetrated so deeply into the American psyche that consumers, whose spending is the most important component of economic activity, have become too scared to shop.


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"The consumer has been hit over the head by so many two-by-fours that the consumer may end up going into a coma here," said Brian Bethune, chief U.S. financial economist for consulting firm Global Insight. "How do you bring them back?"

The rate banks charge each other for loans, a critical gauge of whether the government's proposal is working, has barely shown any improvement since the Treasury's new plan was unveiled. This rate, known as the London interbank offered rate, or Libor, remains higher than it was a week ago and about 61 percent higher than a month ago.

Joseph Stiglitz, a Nobel Prize-winning economics professor at Columbia University, said it was a "mystery" why Libor didn't drop after the government guaranteed lending between banks.

"Clearly, there still is some uncertainty . . . about the terms of the guarantee," said Stiglitz. "There could be uncertainty about the speed of collection. For someone in the market, that could be very worrying. We don't know how much of an injection is really required. There are a lot of unanswered questions."

Regulators pleaded for patience yesterday, saying it would take some time for the effects of the government's actions to work their way through the financial system.

"Stabilization of the financial markets is a critical first step, but even if they stabilize as we hope they will, broader economic recovery will not happen right away," Bernanke said in a speech to the Economic Club of New York. "Economic activity will fall short of potential for a time."


Joseph Stiglitz, a Nobel Prize-winning economics professor at Columbia University, said it was a "mystery" why Libor didn't drop after the government guaranteed lending between banks.

"Clearly, there still is some uncertainty . . . about the terms of the guarantee," said Stiglitz. "There could be uncertainty about the speed of collection. For someone in the market, that could be very worrying. We don't know how much of an injection is really required. There are a lot of unanswered questions."

Regulators pleaded for patience yesterday, saying it would take some time for the effects of the government's actions to work their way through the financial system.

"Stabilization of the financial markets is a critical first step, but even if they stabilize as we hope they will, broader economic recovery will not happen right away," Bernanke said in a speech to the Economic Club of New York. "Economic activity will fall short of potential for a time."




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Style: When I grow up

Fashion 2008. 10. 14. 11:03

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Elie Saab

Fashion 2008. 10. 6. 05:58


PARIS, October 4, 2008
By Nicole Phelps

Watching a show by Elie Saab, who built his reputation on the backs of Hollywood's glamour girls, the question is always the same: Can you picture a celebrity wearing that? More often than not this season the answer was not likely. The Easter-egg color palette—hydrangea blue, lavender, daffodil, and apple green—will be the first stumbling block. Other obstacles include the outsized ruffles, awkward proportions on what few day looks there were, and fabrics and construction that just didn't look like the best that money can buy. Another issue: a sky-high slit that exposed one model's undies. Come to think of it, that dress may have a certain appeal for some of our starlets.

The pieces that worked came unsurprisingly from the silvery-gray portion of the collection: a short dress embroidered all over in metallic paillettes and a long stretch knit dress with a deep décolleté. Thinking more along those lines will make Saab's collection relevant to the likes of Dita Von Teese and Milla Jovovich, both of whom sat in his front row.

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Collette Dinnigan

Fashion 2008. 10. 6. 05:54
Collette Dinnigan



PARIS, October 4, 2008
By Nicole Phelps
There was a little black dress midway through Collette Dinnigan's show that reminded people who've followed her career of the early days. The frock's peekaboo-lace back echoed the lingerie-inspired dresses with which she made her name in the nineties. It would've been a good look upon which to build her Spring collection. As it was, it was just a (welcome) blip among many other pleasant but less distinctive dresses, some densely embroidered in metallic paillettes or studs, others cut in a filmy white chiffon with a violet butterfly print. Military touches on jackets struck a timely note, but there wasn't enough here to distinguish the clothes from those found in the contemporary collections seen on the runways of New York. In fact, that might be a good venue for this commercially oriented designer.


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Chloé

Fashion 2008. 10. 6. 05:42



PARIS, October 4, 2008
By Sarah Mower
How does it feel to be finally in charge at Chloé? "Oh, it's heaven!" exclaimed a tired but exhilarated Hannah MacGibbon, the 38-year-old blond British designer who assisted Phoebe Philo from 1997 through the label's red-hot early-noughties days. Her task is to heat it back up again after several tepid seasons and reconnect with that customer who would once spare no expense to get hold of Chloé's signature sexy-girly things, trophy bags, and shoes.

MacGibbon's scallop-edge coats, rounded-shoulder blouses, and high-waisted flared shorts, interspersed with ruffle-necklined dresses and jumpsuits with an eighties kind of gathered swell in the thigh region, certainly had an air of summery freshness about them. Her contrasts of chartreuse, beige, cream, bluebell, green, and a particular apricot (the exact shade that appears on Chloé packaging) were rinsed of any print and shorn of the embroidery that is a usual feature of the brand.

So was there evidence here that MacGibbon holds a key to the It-ness, the spontaneous, non-intellectual-girl knack that is central to Chloé? In this first outing, some signs were promising—one of the least weird jumpsuits on any runway (a dark green silk halter); a few great pairs of pants. The shoes, ankle-strapped flats and spindly high heels in mixed leather and shiny plastic (no platforms, hooray!), were the best pacesetters since the Chloé clog stomped out the door. And the color-blocked bags with gilt frames and chains had editors scribbling ticks and stars in their notebooks.

In this first collection, MacGibbon said she's aiming to "cleanse the palate" and de-complicate fashion for young women. That's going to take a while to evolve, and the designer must be given time to realign the brand identity amid our new set of economics, something Philo and she never had to worry about when they arrived at the house as twentysomethings. A bigger question is whether the company will see fit to steer Chloé back toward its origins as a prêt-à-porter label for seekers of fashion at accessible prices. At a time when "no expense spared" is fast becoming an anachronism, that would be smart

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Celine

Fashion 2008. 10. 4. 00:57
PARIS, October 2, 2008
By Nicole Phelps
Ivana Omazic had the thankless job of going through with a collection after it was publicly announced that Phoebe Philo would be replacing her at Celine later this month. Like her LVMH stablemate, John Galliano at Dior, Omazic said tribal traditions were her starting point, and like him she didn't take the idea too literally. There were Polynesian-tattoo prints on silk organza dresses, "scarified" supple leather pants, and Masai beading on skirts. She touched on other trends, too, including transparency. The rest (from the hand-painted crinkled-voile wrap dresses to the jersey separates to a couple of suits) looked like it could've come from a tribe called BoBo…as in "bourgeois bohemian." You can call it commercial, but you can't fault her for that—not when retailers are cracking jokes like, "I have big news: We sold a dress!" Yes, there were some missteps, starting with an overly conceptual wedge shoe that was missing an instep, but Omazic deserves credit for making the most of her unpleasant situation.


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Street Fashion

Fashion 2008. 10. 2. 23:42




 

Margiela On My Mind

September 30, 2008

Last night’s Margiela show immediately popped into my mind when I saw this young lady walking in Le Marais this afternoon.

Runway Photo: Marcio Madeira

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Comme des Garçons

Fashion 2008. 10. 2. 07:56


PARIS, September 30, 2008
By Sarah Mower
What is the future of black? That's the philosophical question Rei Kawakubo says she was pondering while designing her Spring collection. Since Comme des Garçons virtually invented black as the non-color of fashion in the eighties, that's probably a logical line of thinking for the woman whose original mind has such a widespread influence over generations of designers. Recent collections of hers have triggered outbreaks of bright, clashing, cartoonish color and multi-textured, perforated layerings that have been openly quoted by Marc Jacobs, and have trickled far down the fashion food chain.

But now Kawakubo is back to black, presenting it almost as a mathematical treatise in geometric volumes. Hexagonal cutting was the central motif, shaped into poufy geodesic tops and cocooning skirts. Using vinyl leather, she patchworked mini hoodies that looked almost like deconstructed soccer balls, and then started to add decoration: frilled edges on stiff plastic tectonic shoulder plates, transparent cellophane underskirts. By the end, a more organic feeling was breaking through: petaled tufts of tattered chiffon spreading over back-to-front jackets, and then whole dresses constructed like topiary. Underneath it all, there were wide shorts and regular trousers and flat lace-up shoes that offered a less experimental baseline for daily dressing. But did the collection end up answering Kawakubo's original question? That's something only she can know, and she's not one to spell out an insight. All that's certain is that she's set out yet another puzzle here that many designing eyes will be trying to figure out in seasons to come.

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Sophia Kokosalaki

Fashion 2008. 10. 2. 07:53

PARIS, September 30, 2008
By Sarah Mower
Sophia Kokosalaki spent the summer on the island of Crete, and while there found herself thinking of Egypt. "It's not so far," she said. "I looked at ancient Egyptian costume, and there's something sixties in there you see in a lot of movies on Greek television. But, you know, it's always done in a young and ironic way." Oddly, Egyptian motifs have been cropping up on several runways this season. In Kokosalaki's case, as she promised, it wasn't exactly the full Tutankhamen deal. Mostly, it was done by allusion: a strong-shouldered jacket and A-line skirt derived from tomb paintings, the pattern on a khaki trench inspired by early hieroglyphics, and a color palette that included lapis lazuli and gold.

Nevertheless, there was a richness in this collection that Kokosalaki hasn't reached for before. She's always worked with leather, but this season she upgraded, patchworking burnished gold python into boleros, vests, and a top in which a single strap literally snaked across a shoulder like a cobra tail. That more detailed extravagance is a distinct step up and away from the dark, urban collections of the beginning of her career in London, but Kokosalaki is growing up now, reaching new markets and finding herself on the brink of the stage where she can develop her name further. That quiet progress was underlined by the jewelry visible in this collection: Snake-head slave bracelets, cuffs inset with semiprecious stones, and dangling gold earrings and diadems were the first sighting of her new line.

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Tao

Fashion 2008. 10. 2. 07:50


PARIS, September 30, 2008
By Nicole Phelps
Tao Kurihara has a very distinctive silhouette: Often it's a little jacket with a lot of action at the neckline and shoulders, worn with an abbreviated bottom like a poufy skirt. She doesn't so much change it each season as couch it within a new reference. For Spring, her point of departure seemed to be Scottish bagpipers' gear. But leave it to this protégé of Rei Kawakubo to keep plaids (too clichéd!) out of the equation.

The first model exited in a short, sheer royal-blue jacket with frogging and brass buttons over a long, narrow tee and tight breeches, a high, fuzzy busby hat topping it off with tasseled kneesocks and brogues below. Kurihara worked her way through many variations on that idea—some toppers double-breasted, others cutaway in back—with pants hovering above or below the knee, a few done in horizontal stripes. Then, putting aside the uniform concept for a moment, she showed a trio of shrunken button-front shirts in bright, girlish flower prints. There were cheerful pop blooms on sheer plissé kilts, as well as on sweeter versions of the opening look. This was one entirely original Highland fling.


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